From symphonic bands and orchestras to chamber groups and other ensembles, students at Case Western Reserve University have endless opportunities to immerse themselves in a vibrant musical community that span various genres, time periods and performance styles.
For soon-to-be graduate Jesse Silverberg—a double major in computer science and music—being part of the CWRU Jazz Ensemble helped shape his college experience by offering a creative outlet to grow as a musician.
At an early age, Silverberg’s interest in jazz was sparked by a lesson in the blues and was later reinforced by the teachings of Paul Ferguson—senior director of the Department of Music—and the influences of famous musicians such as Herbie Hancock, McCoy Tyner and Wynton Kelly.
Under the direction of Ferguson, Silverberg found his groove in the rhythm section—a core group of musicians who drive the beat and harmony of a melody—where he’s played piano for the past three years.
“You’ll find the rhythm section playing almost constantly, whether we’re accompanying a soloist or supporting the entire band,” said Silverberg.
Read on to learn more about Silverberg’s musical journey and experience in the CWRU Jazz Ensemble.
Answers have been edited for clarity and length.
What drew you to join the CWRU Jazz Ensembles? How would you describe your time as a band member?
I had been playing in big bands before I came to CWRU, and I wanted an outlet to keep playing. On top of that, Paul Ferguson has incredible experience, so the chance to learn from him was quite a draw. Performing with the ensemble has been incredibly rewarding. It’s a lot of fun to collaborate with the other musicians here, and I’ve had the chance to play a lot of great repertoire during my time with the band.
In what ways has CWRU influenced your musical growth? Are there any aspects of performing that you’ve been able to apply in other contexts?
I think my understanding of improvisation and style has ultimately [helped me] become more grounded. In general, it’s possible to be quite involved with classical performance while not having an outlet to just create or do something new. The band here gives plenty of opportunities for improvisation and a fair amount of free jazz repertoire, which gives the chance to stretch out and be creative. It’s a really nice chance to let go and communicate with others.
How would you describe the ensemble’s dynamic and rehearsal environment?
Being in the jazz ensemble has definitely connected me with some people who I wouldn’t have interacted with much otherwise—even with me being a music major. It’s definitely a relaxed and fun environment, but the goal is always that we have fun playing great music together. Our director has incredible ears, and he’ll liberally use extended analogies to inform us when the playing isn’t up to par. Some members have grown quite close over time and can be seen playing gigs around Cleveland.
Do you have a favorite piece or performance from your time in the ensemble so far? If so, please explain.
It’s tough to pick one. I might have to say “Walk Forth,” a composition by Ferguson. He does a lot of writing and arranging—often for the Cleveland Jazz Orchestra—and we’re lucky enough to have access to his entire library of compositions. He’s an incredibly talented arranger and there’s a lot of big band music out there that if you play enough of them, you can find yourself going through the same motions over and over. All of Ferguson’s tunes I’ve played have had their own voice.